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TTC - Bach and the High Baroque - Robert Greenberg,

Written by Robert Greenberg,
Format: MP3

”I would vote for Bach, all of Bach, streamed out into space. We would be bragging, of course.” Biologist Lewis Thomas, on what message to send to an extraterrestrial civilization

Underappreciated in his own time, Johann Sebastian Bach has ascended to Olympian heights in the estimation of generations of music lovers.

But what is it about his music that makes it great? Composer and musicologist Robert Greenberg helps you hear the extraordinary sweep of Bach’s music and understand his compositional language whether you’re a devoted admirer or a casual listener.

How Did Bach Become Bach?

Professor Greenberg sets Bach in context by tracing the musical traditions and composers from whom he drew his inspiration, and explaining how Bach absorbed these influences to become the transcendent composer of the High Baroque. According to Professor Greenberg, no other composer is more representative of the period and its aesthetic of emotional extravagance and technical control.

You will also learn how Bach’s background at least 42 of his relatives were professionally involved with music and his strong German Lutheran heritage shaped his development as an artist.

32 Lectures
45 minutes / lecture

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Creation Date: Mon, 09 Aug 2010 14:18:48 -0400
This is a Multifile Torrent
L4 - Fugue.mp3 11.26 MBs
L10 - Lutheranism, Part II—The Chorale, The Chorale Prelude.mp3 11.18 MBs
L12 - The Italian Style, The Operatic Ideal, And Lutheran Spirituality Are Joined.mp3 11.18 MBs
L22 - Cantata No. 140 Wachet Auf, Uns Ruft Die Stimme (cont.).mp3 11.13 MBs
L27 - Bach Transcedent—The Saint Matthew Passion, Part III.mp3 11.1 MBs
L24 - Opera Buffa And The Secular Cantata, The Coffee Cantata (cont.).mp3 11.08 MBs
L25 - Bach Transcendent—The Saint Matthew Passion, Part I.mp3 11.02 MBs
L13 - Vivaldi, Bach, And The Concerto, Part I—Vivaldi And The Venetian Opera.mp3 10.96 MBs
L18 - Dance The Orchestral Suite (cont.).mp3 10.95 MBs
L20 - The Keyboard Suite (cont.).mp3 10.92 MBs
L16 - Vivaldi, Bach And The Concerto, Part II—The Concerto Grosso And The Brandenburg Concerto No. 2.mp3 10.91 MBs
L32 - Bach Transcendent—The Goldberg Variations, Part IV.mp3 10.9 MBs
L29 - Bach Transcendent—The Goldberg Variations, Part I.mp3 10.9 MBs
L14 - Vivaldi, Bach, And The Concerto, Part II——Vivaldi’s Model And Bach, Violin Concerto No. 2 In E Major.mp3 10.88 MBs
L5 - Historical Overview From Constantine Through The Great Thinkers Of The Baroque.mp3 10.87 MBs
L6 - Style Features Of High Baroque Music—A Musical Glossary.mp3 10.83 MBs
L1 - Introduction.mp3 10.82 MBs
L26 - Bach Transcendent—The Saint Matthew Passion, Part II.mp3 10.75 MBs
L17 - Bach And The French Style, Part I—Dance And The Orchestral Suite.mp3 10.74 MBs
L15 - Vivaldi, Bach, And The Concerto, Part II (cont.).mp3 10.72 MBs
L23 - Bach And Opera, Part II—Opera Buffa and The Secular Cantata, The Coffee Cantata.mp3 10.68 MBs
L30 - Bach Transcendent - The Goldberg Variations, Part II.mp3 10.67 MBs
L7 - Style Features Of High Baroque Music, Part II—A Musical Glossary.mp3 10.64 MBs
L21 - Bach And Opera, Part I—Cantata No. 140 Wachet Auf, Uns Ruft Die Stimme.mp3 10.6 MBs
L19 - Bach And The French Style, Part II—The Keyboard Suite.mp3 10.58 MBs
L3 - Introduction To The Baroque Aesthetic.mp3 10.56 MBs
L9 - Bach’s Inheritance, Part I—The Protestant Reformation And The Rise Of Lutheranism.mp3 10.46 MBs
L31 - Bach Transcendent—The Goldberg Variations, Part III.mp3 10.46 MBs
L11 - Bach’s Inheritance, Part II—The Development Of Italian Style.mp3 10.34 MBs
L8 - Style Features Of High Baroque Music, Part III—A Musical Glossary.mp3 10.18 MBs
L2 - Christmas, 1772.mp3 9.22 MBs
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